Raimundo Silva González. (Pro-French)

Cinexin Series:

Exposure of Frenchified Cinexin (Raimundo Silva González, Olivenza 1976), collects all the movies that make our eyes, pinching our heart, every color, every dialogue, every frame, every object, every terrain, every plot twist, a nod the feeling of each film, this feeling with which we the viewers back home, that phrase, that word, that detail that makes a movie the movie of our life. It would be impossible to summarize a movie in its promotional poster, it would be impossible to catch his argument, it would be possible to show a sense on a poster, but if you can capture the detail that paves the way you frame by frame, that aura that history shows, that word makes you from a chill, that color that fills each story. In the exhibition Cinexin meant to capture the soul of each film, with an object with a color, with a word, with a shape, one frame movies, feelings in a picture. Yasmina's smile as a POCOYO character, a real breakfast with diamonds, including croissant, red blood that Dracula lives in an ice cream that we ate when you were young, an origami unicorn to open up the world of Blade Runner. Signage movies, or movies in a poem ... visual, colorful, full of shapes and winks, Cinexin aims to make the frame in black fired us a movie in simple language and colorful ... and expose that Peter Pan does not we move from the chair, cinema, life. "Who loves cinema, loves life, "Francois Truffaut.